Concert Review

May 22, 2026

Clash Magazine
Louis Tomlinson closed out his How Did I Get Here tour with a confident, electric show at a sold-out O2 Arena in London at the start of May.
ADMT kicked off the night at 7pm, singing āHomeless,ā engaging the crowd from the outset, and prompting hands in the air within the first chorus.Ā
He treated fans to a selection of songs off his new album From Good To Bad And Then Back Again, maintaining excellent crowd control throughout while showcasing a powerful voice. If he had any nerves performing in front of 20,000 people so early in his career, he didnāt show it. Towards the end, he teased the crowd with a rhetorical question, āIs someone else playing here tonight from Doncaster?ā and feral screaming ensued.Ā
ADMTās electrifying set was shortly followed by the Mancunian trio Pale Waves, who took to the stage at 7:45pm. They opened their set with āEighteenā, showing off what terrific instrumentalists they are. Louisā fans gave them a warm, personable reception, with a sea of LGBTQ+ flags waving in the air that didnāt go unnoticed by the queer band.Ā
Lead singer Heatherās vocals stunned the crowd, covering The Cranberriesā song āZombieā, which felt all the more intentional and moving given the current times we are living in. Another highlight was āTelevision Romanceā, a song I thought immediately could have been written by hitmakers The 1975. Post-concert research revealed that Matty Healy indeed was so impressed with this song that he produced it.
By 8:45pm, the arena was completely full. Noticeably, there was a huge age range amongst the crowd, many of whom likely discovered Louis post-One Direction, a testament to how strong his solo career has been to date. I hadnāt even gotten to my seat before I had been offered a friendship bracelet.

Many fans had made signs, and one fan was even dressed as Louis Tomlinson auditioning for the X-Factor, where his journey began.

Louis, however, isnāt stuck in the past, and he still canāt fully process where he is in the present. Shortly after opening with banger āLemonadeā and decorating the audience with yellow confetti, he greets the crowd with an incredulous āLondon.. how the fuck did we get here?ā Itās a question that has defined this current album cycle, with him literally naming his third studio album How did I get here? The answer, of course, lies in a career-best performance to a screaming crowd who held onto every word. Note to self: Always bring your loop earplugs.Ā
Louis maintained momentum, diving straight into āOn Fireā, another highlight from his latest album, an infectiously catchy pop hit. He was supported by a superb band, with the guitarist taking a well-deserved spotlight during several epic guitar solos. During his high-energy indie-rock songs, the crowd didn't stop dancing once.Ā
The middle portion of Louisā set consisted of several ballads, with āDark to Lightā being a particularly poignant moment. Itās hard not to be moved, given the public losses Louis has persevered through in such a short span of time.Ā

Any sense of composition was obliterated when Louis surprised the audience with a One Direction classic, āNight Changes.ā For many, including myself, this was their first time getting to hear this song live. Other notable moments include Louis finding the time mid-song to quickly autograph fansā signs, and him jumping up on the barricade during the closing song,Ā āPalacesā, as fans swarmed around him.
Vocally, he is at his best, and the night was also a display of his excellent songwriting. He jokes with fans halfway through that he is no longer shitting himself, as the first nine songs are always terrifying. He comes across as personable and genuine, earnestly stating, āLook at the life you have created for me.ā It was his 23rd time on that stage, but finally, he is taking the spotlight he deserves.
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